By Andy Hines | You may not have known it, but you are doing digital humanities right now. Whether you… Read more Defining Digital Humanities, Redefining the University
By Andy Hines | You may not have known it, but you are doing digital humanities right now. Whether you… Read more Defining Digital Humanities, Redefining the University
By Nicole Trigg | [Struggle. How much I admire the idea and how difficult to tolerate the experience of. Do… Read more BEING TOGETHER, APART
By Kenan Behzat Sharpe | Director Yorgos Lanthimos’ new film The Lobster presents us with a world in which coupling… Read more The Lobster: Debt, Referenda, and False Choices
By Tara Needham | This piece is a part of an ongoing series on housework “Domesticated Medusa,” Acrylic and transfer… Read more How to Ask a Feminist to Do the Dishes
By Kenan Behzat Sharpe | One of the Proverbs of Hell passed on to us from William Blake suggests that… Read more Technology and Compensatory Fantasy in The Magicians
By Maya Andrea Gonzalez and Cassandra Troyan | Of the political-economy of romance under capitalism, Eva Illouz describes the “paradox… Read more Heart of a Heartless World
By Sophie Lewis | What would the most thrilling and intimate moments in our collective social reproduction feel like in… Read more On the Future Genealogy of the Date
by Chris Chitty | Tomorrow will mark the first anniversary of Chris Chitty’s death. Chris was a radical thinker, committed… Read more Sex as Cultural Form: The Antinomies of Sexual Discourse
By Johanna Isaacson | This is part of a Blind Field series on Long Seventies Conspiracy Cinema. A standard periodization… Read more Long Seventies Conspiracies: Rosemary’s Baby (1968) and The Stepford Wives (1975)
By Justin Hogg | This is part of a Blind Field series on Long Seventies Conspiracy Cinema. “When I see… Read more Black Man Time: ‘Post’-Colonialism as Conspiracy in ‘Xala’