By: Payton Alexa McCarty-Simas Quentin Tarantino, auteur director of such hyper-violent, exploitation-inspired films as Inglourious Basterds (2009), and Django Unchained… Read more Flirting With Empowerment: Quentin Tarantino’s Troubling Depictions of Sexual Assault
By Johanna Isaacson With the visceral connection it makes between forced pregnancy and military-sanctioned torture, the 2016 psychedelic body horror… Read more “With your body we can supply an everlasting demand for submission”: Reproductive politics and Body Horror in Antibirth
By Juno Jill Richards [1] In the first year of the plague I watched all the dystopias. They were like… Read more “We Took Something that was Property and Made It Life”: On Everything for Everyone
By Johanna Isaacson A decade ago, I sat in a large seminar classroom in which feminist luminary Kathi Weeks presented… Read more Defamiliarizing Family: Abolish the Family Review
By Nicole Froio Growing up in the 1990s, I was raised to believe that, despite my gender, I could achieve… Read more All Girlbosses Are Bastards
By Johanna Isaacson In his chapter from Capital, “The Fetishism of Commodities and the Secret Thereof,” Karl Marx asserts that under… Read more Killer Capitalist Clothes in In Fabric, Slaxx, and Deerskin
By Madeline Lane-McKinley Days into her new job punching up stand-up material for legendary comedienne Deborah Vance (Jean Smart), 25… Read more Hacking At Work
By Madeline Lane-McKinley As she walks and talks through hallways and crowded rooms, she waves her hands in the air.… Read more Sorkin’s Women
By Grace Prial In 2011, British sociologist Catherine Hakim coined the term “erotic capital,” defined as “a complex but crucial… Read more Exploding “Erotic Capital”; A Review of Happy Hour, A Dream of a Woman, and Objects of Desire
By Johanna Isaacson In 1977 Klaus Theweleit explored what he called “proto-fascist consciousness” by investigating the desires and values that… Read more Abjection and The New Soldier Male in “Daniel Isn’t Real.”
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