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A Journal of Cultural Inquiry

Author: blindfieldcollective

Barbie: Welcome to the Pink Thunderdome

Posted on August 9, 2023August 10, 2023 by blindfieldcollective

By Jess Flarity The cultural landscape around Barbie currently ebbs and flows like a kaleidoscopic tide. Everyone (writing reviews) seems… Read more Barbie: Welcome to the Pink Thunderdome

Commoning for Autonomy/Autonomy for the Commons

Posted on July 24, 2023July 24, 2023 by blindfieldcollective

By Andreas Petrossiants – Mary N. Taylor and Noah Brehmer (eds.), The Commonist Horizon: Futures Beyond Capitalist Urbanization (Common Notions,… Read more Commoning for Autonomy/Autonomy for the Commons

Women’s Non-Naturalistic Acting in Contemporary Horror: Get Out, Hereditary, Us, and Pearl

Posted on July 10, 2023July 23, 2024 by blindfieldcollective

By Johanna Isaacson Due to my horror film obsession, I stopped watching the Oscars and other Hollywood awards shows years… Read more Women’s Non-Naturalistic Acting in Contemporary Horror: Get Out, Hereditary, Us, and Pearl

Imagined, Beloved Communities: a review of M.E. O’Brien’s “Family Abolition: Capitalism and the Communizing of Care”

Posted on June 15, 2023June 15, 2023 by blindfieldcollective

By Johanna Isaacson What do we want for our futures— communities built on freely chosen love and care or a… Read more Imagined, Beloved Communities: a review of M.E. O’Brien’s “Family Abolition: Capitalism and the Communizing of Care”

Bringing Abolition Home: Why Family Abolition Needs to be at the Heart of the Movement to Abolish Family Policing

Posted on June 6, 2023June 6, 2023 by blindfieldcollective

By Katie Gibson “A romantic fervor drives…children to crime; they project themselves into the most magnificent, daring, and ultimately dangerous… Read more Bringing Abolition Home: Why Family Abolition Needs to be at the Heart of the Movement to Abolish Family Policing

Between ‘Mothers’ and ‘Females’

Posted on May 8, 2023May 8, 2023 by blindfieldcollective

By Eli Nova Rose As I write, it’s dark before dawn very early on a Saturday morning, and one kid… Read more Between ‘Mothers’ and ‘Females’

Chopping it Up and Burning it Down: Queer Camp in “Night Warning”

Posted on April 3, 2023April 22, 2023 by blindfieldcollective

By Johanna Isaacson As we enter the age of the “social thriller,” horror is in a transformative moment. Films like… Read more Chopping it Up and Burning it Down: Queer Camp in “Night Warning”

HBO’s The Last of Us: Filming (in) Alberta

Posted on March 23, 2023March 23, 2023 by blindfieldcollective

By Michael Truscello Like many Albertans, I was thrilled when HBO announced it would be filming The Last of Us TV adaptation in Alberta… Read more HBO’s The Last of Us: Filming (in) Alberta

“The Blade and the Executioner”: Funeral Parade of Roses, Psycho, and Queering the Monstrous Other

Posted on March 20, 2023March 21, 2023 by blindfieldcollective

By Payton McCarty-Simas While Oedipus Rex is the most obvious reference point for Toshio Matsumoto’s 1969 film Funeral Parade of Roses,… Read more “The Blade and the Executioner”: Funeral Parade of Roses, Psycho, and Queering the Monstrous Other

Precarious Performances: Unplannable Lives of Emotional Laborers in Parasite

Posted on March 13, 2023 by blindfieldcollective

By Johanna Isaacson The following is excerpted from Stepford Daughters: Weapons for Feminists in Contemporary Horror (Common Notions Press). You can purchase… Read more Precarious Performances: Unplannable Lives of Emotional Laborers in Parasite

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