By Johanna Isaacson In classic feminist films, the kitchen is a place of repetition whose Sisyphean tasks incrementally arouse dread… Read more Kitchens After Midnight: Gremlins
By Johanna Isaacson In classic feminist films, the kitchen is a place of repetition whose Sisyphean tasks incrementally arouse dread… Read more Kitchens After Midnight: Gremlins
By Johanna Isaacson What do we want for our futures— communities built on freely chosen love and care or a… Read more Imagined, Beloved Communities: a review of M.E. O’Brien’s “Family Abolition: Capitalism and the Communizing of Care”
By Katie Gibson “A romantic fervor drives…children to crime; they project themselves into the most magnificent, daring, and ultimately dangerous… Read more Bringing Abolition Home: Why Family Abolition Needs to be at the Heart of the Movement to Abolish Family Policing
By Johanna Isaacson With the visceral connection it makes between forced pregnancy and military-sanctioned torture, the 2016 psychedelic body horror… Read more “With your body we can supply an everlasting demand for submission”: Reproductive politics and Body Horror in Antibirth
By Johanna Isaacson A decade ago, I sat in a large seminar classroom in which feminist luminary Kathi Weeks presented… Read more Defamiliarizing Family: Abolish the Family Review
By Alva Gotby Two families, alike yet from different worlds, are the focus of Bong Joon-ho’s film Parasite (2019). The… Read more Crossing the line: Parasite and the horror of bourgeois domesticity