Long Seventies Conspiracy Cinema: An Introduction

By Madeline Lane-McKinley | “I don’t have to tell you things are bad. Everybody knows things are bad. It’s a… Read more Long Seventies Conspiracy Cinema: An Introduction

Apparatuses of Capture: Producing a New Regime of Accumulation Through a New Community of Men

By Robert Wood | “By turning his money into commodities which serve as the building materials for a new product,… Read more Apparatuses of Capture: Producing a New Regime of Accumulation Through a New Community of Men

By Johanna Isaacson | In 1963 Betty Friedan diagnosed the frustration and depression of the housewife as “the problem with… Read more Managed Monsters: “The Babadook” as Care Strike

By Madeline Lane-McKinley | “Utopia has been euclidean, it has been European, and it has been masculine. I am trying… Read more Imagining the End of Capitalism in ‘Post-Occupy’ Dystopian Films: Part 2

By Michelle Glowa, Leslie Lopez, Kathy Chaput, and the dedicated students and mentors of the Corre la Voz Program | At… Read more Elotes and Eviction: Snapshot Perspectives from Youth on the Beach Flats Community Garden

By Brent Ryan Bellamy | The opening night of The 26th St. John’s International Women’s Film Festival began with a… Read more A Fugue State: Brief Remarks on “Into the Forest”

By Madeline Lane-McKinley | I: How Many Times Have You Died In Your Kitchen? “… A young crust punk girl… Read more Dying in Kitchens

By Maya Weeks | A RELATIONSHIP IS AN ATTEMPT AT PROTECTING PROPERTY I drive past the Seafarers International Union… Read more Social Glacier

By Benjamin Noys | “A Martian who hijacked the stock of the average video store would reasonably conclude that humans… Read more Weak and Wounded: “Session 9”, Work, and Insurgent Femininity

By Johanna Isaacson | Misogyny is a shape-shifter, a shadow, an “It” that follows and mutates to fit the culture’s… Read more “It Follows”: Contemporary Horror and the Feminization of Labor