By Tara Needham | This piece is a part of an ongoing series on housework “Domesticated Medusa,” Acrylic and transfer… Read more How to Ask a Feminist to Do the Dishes
By Tara Needham | This piece is a part of an ongoing series on housework “Domesticated Medusa,” Acrylic and transfer… Read more How to Ask a Feminist to Do the Dishes
By Kenan Behzat Sharpe | One of the Proverbs of Hell passed on to us from William Blake suggests that… Read more Technology and Compensatory Fantasy in The Magicians
By Sophie Lewis | What would the most thrilling and intimate moments in our collective social reproduction feel like in… Read more On the Future Genealogy of the Date
by Chris Chitty | Tomorrow will mark the first anniversary of Chris Chitty’s death. Chris was a radical thinker, committed… Read more Sex as Cultural Form: The Antinomies of Sexual Discourse
By Johanna Isaacson | This is part of a Blind Field series on Long Seventies Conspiracy Cinema. A standard periodization… Read more Long Seventies Conspiracies: Rosemary’s Baby (1968) and The Stepford Wives (1975)
By Justin Hogg | This is part of a Blind Field series on Long Seventies Conspiracy Cinema. “When I see… Read more Black Man Time: ‘Post’-Colonialism as Conspiracy in ‘Xala’
By Madeline Lane-McKinley | Like all of Charlie Kaufman’s films, Anomalisa eventually reaches a critical threshold, at which the aesthetic… Read more Monotony and Efficiency in Kaufman’s ‘Anomalisa’
“Invisible, repetitive, exhausting, unproductive, uncreative,” Angela Davis writes, “these are the adjectives which most perfectly capture the nature of housework.”[i]… Read more Call For Proposals: HOUSEWORK
By Johanna Isaacson | In Unfriended (2015) a teen bullied into suicide, Laura Barnes, returns to cyberspace to haunt the… Read more ‘Unfriended’ Unpacks Cyber-Sociality
By Madeline Lane-McKinley | “I don’t have to tell you things are bad. Everybody knows things are bad. It’s a… Read more Long Seventies Conspiracy Cinema: An Introduction