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A Journal of Cultural Inquiry

“The Blade and the Executioner”: Funeral Parade of Roses, Psycho, and Queering the Monstrous Other

Posted on March 20, 2023March 21, 2023 by blindfieldcollective

By Payton McCarty-Simas While Oedipus Rex is the most obvious reference point for Toshio Matsumoto’s 1969 film Funeral Parade of Roses,… Read more “The Blade and the Executioner”: Funeral Parade of Roses, Psycho, and Queering the Monstrous Other

Precarious Performances: Unplannable Lives of Emotional Laborers in Parasite

Posted on March 13, 2023 by blindfieldcollective

By Johanna Isaacson The following is excerpted from Stepford Daughters: Weapons for Feminists in Contemporary Horror (Common Notions Press). You can purchase… Read more Precarious Performances: Unplannable Lives of Emotional Laborers in Parasite

Photography, Politics, and Death in All The Beauty and the Bloodshed

Posted on March 2, 2023 by blindfieldcollective

By Trey Taylor In a 1985 essay entitled ‘Photography and Fetish’, the visual theorist Christian Metz ventured a number of… Read more Photography, Politics, and Death in All The Beauty and the Bloodshed

Maron’s Third Act

Posted on February 23, 2023February 23, 2023 by blindfieldcollective

By Madeline Lane-McKinley “Don’t misunderstand me, I have no hope,” Marc Maron tells his audience at the outset of his… Read more Maron’s Third Act

NOTES ON A DEAD FATHER

Posted on February 16, 2023January 23, 2026 by blindfieldcollective

By Hunter Bivens (after Heiner Müller’s “The Father”)  On a Tuesday morning in October of my tenth year in California,… Read more NOTES ON A DEAD FATHER

The Stand-Up Artist in the Age of Gigification

Posted on February 9, 2023February 10, 2023 by blindfieldcollective

By Madeline Lane-McKinley The following is an excerpted chapter from Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions… Read more The Stand-Up Artist in the Age of Gigification

Political Horror 101: Reclaiming the culture we love for the world we want to see

Posted on January 18, 2023January 30, 2026 by blindfieldcollective

By Johanna Isaacson I was recently asked an impossible-to-answer question: what five films would you recommend to a social-justice minded… Read more Political Horror 101: Reclaiming the culture we love for the world we want to see

Laughing at Work: The Genre-Creep of Anti-Workplace Comedy in 2022

Posted on December 12, 2022 by blindfieldcollective

By Madeline Lane-McKinley In her 2021 book Work Won’t Love You Back, Sarah Jaffe makes the convincing case that “work… Read more Laughing at Work: The Genre-Creep of Anti-Workplace Comedy in 2022

Selling Yourself for Pretzel Sticks: Masculine Crisis in the Dystopian Triangle of Sadness

Posted on December 5, 2022December 15, 2022 by blindfieldcollective

By Jess Flarity Swedish screenwriter and director Ruben Östlund’s Triangle of Sadness (henceforth, Triangle) was a controversial Palme d’Or winner… Read more Selling Yourself for Pretzel Sticks: Masculine Crisis in the Dystopian Triangle of Sadness

Flirting With Empowerment: Quentin Tarantino’s Troubling Depictions of Sexual Assault 

Posted on November 7, 2022 by blindfieldcollective

By: Payton Alexa McCarty-Simas Quentin Tarantino, auteur director of such hyper-violent, exploitation-inspired films as Inglourious Basterds (2009), and Django Unchained… Read more Flirting With Empowerment: Quentin Tarantino’s Troubling Depictions of Sexual Assault 

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