By Matthew Chovanec | On the night of July 15, 2016, the street swallowed up a military coup in Turkey.… Read more Crowds and Slogans in Turkey
By Matthew Chovanec | On the night of July 15, 2016, the street swallowed up a military coup in Turkey.… Read more Crowds and Slogans in Turkey
By Irina Souch | This piece is a part of an ongoing series on housework. On March 8, 2016… Read more ‘The guests have left, the husband is tired’: household objects and gender inequality in the work of the Russian artist collective Naden’ka
By Madeline Lane-McKinley | If what you want is Hillary Clinton – that is, anti-feminism in the name of feminism,… Read more Of Busted Ghosts and Broken Glass
Dear friends of Blind Field… As the editors of Blind Field, we want to thank our friends and readers for… Read more To Our Readers
By Andy Hines | You may not have known it, but you are doing digital humanities right now. Whether you… Read more Defining Digital Humanities, Redefining the University
By Nicole Trigg | [Struggle. How much I admire the idea and how difficult to tolerate the experience of. Do… Read more BEING TOGETHER, APART
By Kenan Behzat Sharpe | Director Yorgos Lanthimos’ new film The Lobster presents us with a world in which coupling… Read more The Lobster: Debt, Referenda, and False Choices
By Tara Needham | This piece is a part of an ongoing series on housework “Domesticated Medusa,” Acrylic and transfer… Read more How to Ask a Feminist to Do the Dishes
By Kenan Behzat Sharpe | One of the Proverbs of Hell passed on to us from William Blake suggests that… Read more Technology and Compensatory Fantasy in The Magicians
By Maya Andrea Gonzalez and Cassandra Troyan | Of the political-economy of romance under capitalism, Eva Illouz describes the “paradox… Read more Heart of a Heartless World